Her work s.n. (unnamed) creates a sort of vector of memory of anonymity. She forces invisibility to make the group of migrants visible. Despite working with images from the media or even her own, on this occasion she subverts the codes of vision using disappearance to make things visible.
Visual artist. She has constructed her work around the tension between the visible and the invisible. The play between appropriation and subversion takes shape, for instance, in acts of destruction, expressed by pages with holes, ink and erased images. The plastic dimension reflects a political position that generates meaning.