The emergence of several pieces from that ensemble and the inclusion of part of it into the MNAC’s Romanesque collection have prompted an ambitious, far‑reaching show that seeks, on the one hand, to reappraise the originality and “modernity” of this itinerant artist within the European Romanesque—through his privileged dialogue with the art of Early Christian sarcophagi—and, on the other, to highlight the artistic dimension of the Benedictine abbey of Sant Pere de Rodes and its long, eventful heritage history.