Be careful next time you open your mouth, because the most innocent words can reveal our most deeply hidden secrets.
Let’s talk about pizzas. Or have an ordinary everyday chat of the kind you hear on the metro every day. If you listen carefully, though, you will see that, behind every absurd, innocent word, every cliché you may discover a sordid, sad or desperate story. That is what Martin Crimp, one of Britain’s most outstanding contemporary playwrights, did as he transcribed audio tapes of market research interviews. From that material, he came up with a story in which the most banal words conceal the darkest truths. An abandoned wife, a conflictive teenager and an alleged paedophile talk about apparently-trivial issues in quick, short, tense, sometimes even funny dialogues.
In Carme Portacel’s production, Crimp’s text is mixed with dance and music to reflect a dual reality: what we say, and what we try to hide.
Autoria: Martin Crimp; Traducció: Joan Sellent; Direcció: Carme Portaceli; Intèrprets: Gabriela Flores, Francesc Garrido, Albert Pérez i Maria Rodriguez, Martí Salvat, Diana Torné; Espai sonor: Jordi Collet Sila; Escenografia: Paco Azorín; Vestuari: Marta Rafa; Moviment escènic: Ferran Carvajal; Ajudant de direcció: Ricard Soler i Mallol; Cap de producció: Casiana Monczar; Audiovisual: Pedro Chamizo; Il·luminació: Maria Domènech; Producció executiva: Roger B. Sardà; Coreografia: Ferran Carvajal; Assistència a la coreografia: Marta Filella;
